The sound of silence

All souls

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All souls All souls

The background

All souls

It is in connection with the silence of death that we often hear the most beautiful and most moving music. For this edition of All Souls, artistic leader Johanna Soller has chosen works from the early Baroque and works by John Cage, including his iconic silent piece, 4’33”.

Not a note or harmony too many“

This year, the Bach Society is remembering the dead with music by predecessors of Bach. Johann Schelle, Sebastian Knüpfer and Johann Kuhnau preceded Bach in his position of Thomaskantor in Leipzig. And Bach looked to Johann Rosenmüller and Dietrich Buxtehude for inspiration regarding the art of composition. The recurring chorale melodies in their music form one big, hushed reflection on death. In the case of John Cage (1912-1992), this is distilled to its essence. There is not a note or harmony too many in his music, culminating in his famous composition 4’33’’, where only silence remains to be heard.

The concert

Works and Performance

Works

Johann Kuhnau
Gott, sei mir gnädig nach deiner Güte

Johann Rosenmüller
Sinfonia Undecima à 5
Sinfonia Quarta à 5

Johann Schelle
Herr, lehre uns bedenken
Christus ist des Gesetzes Ende

Johann Christoph Bach
Es ist nun aus mit meinem Leben, JCB3

Dietrich Buxtehude
Jesu, meines Lebens Leben, BuxWV 62
Herzlich lieb hab ich dich, o Herr, BuxWV 41

Sebastian Knüpfer
Wenn mein Stündlein vorhanden ist

John Cage
4’ 33’’
Apartment House 1776: Harmony No. 3, Funeral Anthem

Performers

Netherlands Bach Society
Johanna Soller, organ and leader

Soloists
Dorothee Mields, soprano
William Shelton, alto
Jakob Pilgram, tenor
Felix Schwandtke, bass

Tickets

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