Der Herr denket an uns

Der Herr denket an uns

BWV 196 performed by the Netherlands Bach Society
conducted by Jos van Veldhoven
Oostkerk, Middelburg

  • Menu
  • 1. Sinfonia
  • 2. Der Herr denket an uns (Chorus)
  • 3. Er segnet (Aria)
  • 4. Der Herr segne euch (Duet)
  • 5. Ihr seid die Gesegneten (Chorus)

Behind the music

Extra videos
Extra videos

Wedding present

Did Bach go to Dornheim in June 1708 with a new composition under his arm?

It’s a nice story. One sunny day, Bach walked with his wife Maria Barbara to the lovely little church in Dornheim, carrying his latest composition Der Herr denket an uns. The church where he was to perform his latest piece was familiar territory, as it was where he had married Maria Barbara six months earlier. Their marriage was solemnised by a friend of the family, Johann Lorenz Stauber. And today it was Stauber’s turn to get married. As a wedding present, Bach composed a new cantata, for which he had carefully selected the text, possibly along with Stauber himself. It comprises four verses from Psalm 115, in which the word ‘bless’ plays an important role. This provided Bach with some nice musical possibilities, as explained in the interview. The words were also very apt. The ‘house of Aaron’ refers to the fact that it concerns a clergyman. Both spouses were blessed, as well as their children, as it was not Stauber’s first marriage, his first wife having died the previous year.

Like the text, the cantata is brief and to the point. Without recitatives, it almost appears to be a seventeenth-century piece in the style of Schütz. But in the central aria for soprano, Bach reverts to a ‘modern’ technique from Italian opera: the da capo aria, in which the first section of the piece is repeated at the end. The powerful final movement leads up to a closing ‘Amen’, in which the four voices tumble over one another in their enthusiasm.

The idea that this cantata was written for Stauber’s wedding was first put forward over 100 years ago by the musicologist Philipp Spitta. Because it is such a nice story, it is often adopted without question. Nevertheless, opinions vary. Although the words do fit a wedding service nicely, they would be an even better match for a more general service of thanksgiving. The music clearly dates from the period before Bach became cantor in Leipzig, but a more precise dating is impossible, as there is no surviving score from that period. So we will never know whether the premiere of the piece really took place in Dornheim – but it remains a lovely story nevertheless.

Der Herr denket an uns
unknown, Psalm 115:12-15
First performance
Possibly on 5 June 1708 in Dornheim at the wedding of Johann Lorenz Stauber and Regina Wedemann.

Extra videos

Dorothee Mields, Jos van Veldhoven and Charles Daniels

“Soprano Dorothee Mields, conductor Jos van Veldhoven and tenor Charles Daniels discuss the cantata.”

Vocal texts


1. Sinfonia
2. Chor
Der Herr denket an uns
und segnet uns.
Er segnet das Haus Israel,
er segnet das Haus Aaron.
3. Arie (Sopran)
Er segnet,
die den Herrn fürchten,
beide, Kleine und Grosse.
4. Duett (Tenor, Bass)
Der Herr segne euch
je mehr und mehr,
euch und eure Kinder.
5. Chor
Ihr seid die Gesegneten des Herrn,
der Himmel und Erde gemacht hat.


1. Sinfonia

2. Chorus
The Lord hath been mindful of us:
He will bless us;
He will bless the house of Israel;
He will bless the house of Aaron.

3. Aria
He will bless
them that fear the Lord,
both small and great.

4. Duet
The Lord shall increase you
more and more,
you and your children.

5. Chorus
Ye are blessed of the Lord
which made heaven and earth.


  • Release date
    4 December 2015
  • Recording date
    16 May 2015
  • Location
    Oostkerk, Middelburg
  • Conductor
    Jos van Veldhoven
  • Soprano
    Dorothee Mields
  • Alto
    Alex Potter
  • Tenor
    Charles Daniels
  • Bass
    Tobias Berndt
  • Ripieno soprano
    Marjon Strijk
  • Ripieno alto
    Barnabás Hegyi
  • Ripieno tenor
    Immo Schröder
  • Ripieno bass
    Jelle Draijer
  • Violin 1
    Shunske Sato
  • Violin 2
    Lucia Giraudo
  • Viola
    Anneke van Haaften
  • Cello
    Lucia Swarts
  • Double bass
    James Munro
  • Bassoon
    Benny Aghassi
  • Organ
    Siebe Henstra
  • Theorbo
    Mike Fentross
  • Film directors and editors
    Jasper Verkaart, Manoj Kamps
  • Music recording producers
    Guido Tichelman, Bastiaan Kuijt, Micha de Kanter
  • Camera
    Maarten van Rossem, Paul Caspers, Jorrit Garretsen, Rieks Soepenberg
  • Gaffer
    Daan de Boer, Denny Schoute
  • Make-up
    Erica Stuyfzand
  • Colorist
    Daphne Maierna
  • Interview
    Jasper Verkaart, Manoj Kamps
  • Producer concert
    Erik van Lith, Marco Meijdam
  • Producer film
    Jessie Verbrugh

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