Fugue in A minor

Fugue in A minor

BWV 947 performed by Aline Zylberajch
at the Bartolotti House, Amsterdam

Behind the music

Story
Story
Credits
Credits

In search of identity

Italian inspiration in an early fugue by Bach, or by an unknown composer?

Bach’s genius was fuelled by his exceptionally musical family and their extensive collection of music, which included all sorts of exciting influences, like the latest Italian concerti grossi and violin concertos in the style of Vivaldi. Bach’s early works are difficult to date, however, as his style was still developing, and some pieces appear more ‘Bach’ than others. Furthermore, they often lack a definitive source.

This Fugue in A minor, which only surfaced in 1847, is a case in point. Even more suspect than the late date is the simple construction and the lack of refinement as the fugue develops. In his impressive and comprehensive guide The Keyboard Music of J.S. Bach, David Schulenberg writes, ‘The composer was competent but unimaginative, incorporating two almost verbatim repetitions, something never found in a well-attributed Bach fugue. In fact hardly anything in the piece resembles music known to be by Bach’.

Some authors point to a similarity to the Fantasia in G major, BWV 571. However, its theme – which equally borders on the banal – turns out to be a ruse for a series of astounding harmonic effects. Here, though, the composer goes no further than a presentation of the material mixed with ‘free playing’ in the Italian style, full of virtuoso runs and neat series of chords. The role of the theme diminishes to the extent that the last two entrances in the tenor and soprano stand alone, with no interaction with the other parts.

BWV
947
Title
Fugue in A minor
Instrument
Harpsichord
Genre
harpsichord works

Extra videos

Vocal texs

Original

Translation

Credits

  • Release date
    23 July 2020
  • Recording date
    5 July 2019
  • Location
    Bartolotti House, Amsterdam
  • Harpsichordist
    Aline Zylberajch
  • Harpsichord
    Bruce Kennedy, 1989 after Michael Mietke
  • Director, camera and lights
    Gijs Besseling
  • Music recording
    Guido Tichelman, Bastiaan Kuijt
  • Music edit and mix
    Guido Tichelman
  • Camera, lights
    Danny Noordanus
  • Data handling, camera and lighting assistant
    Eline Eestermans
  • Producer
    Jessie Verbrugh, Marco Meijdam
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