Concerto in C major

Concerto in C major

BWV 594 performed by Peter Kofler
Jacobikerk, Uithuizen

  • Menu
  • 1. (...)
  • 2. Adagio
  • 3. Allegro

Behind the music

Story
Story
Extra videos
Extra videos
Credits
Credits

Wonderful paradox

In Bach’s day, many facts and myths were in circulation about the Mogul.

This energetic Concerto in C major is part of a group of five transcriptions of concertos by composers that include Antonio Vivaldi (BWV 592-596). Bach wrote them in Weimar around 1713, when he was employed at the court of Saxe-Weimar. The nephew of his employer, the young Prince Johann Ernst of Saxe-Weimar, provided Bach with new music, hot from the press from the Netherlands. Bach was thus introduced to concertos by Vivaldi, which he then transcribed for organ.

However, we do not know whether Vivaldi’s Concerto in D major, on which Bach modelled this Organ Concerto in C major, was also brought over from Amsterdam by Johann Ernst. The version that Bach knew and arranged cannot be traced back to one single source and it contains long passages for solo violin that originate from different manuscripts. The concerto has an exotic epithet: ‘Il grosso Mogul’. We do not know exactly why this is, and neither do we know who or what it refers to. It may be the Mogul Empire in India, the great Mogul himself or the legendary big diamond said to have been owned by the Mogul.

The epithet is written on a manuscript of Vivaldi’s concerto in Schwerin, in Northern Germany, so it is perfectly possible that Bach would also have known the concerto by that name. In Bach’s day, many facts and myths were in circulation about the Mogul. A book about Der Staat des grossen Mogol from around 1710 describes the incredible wealth of the palace and the Mogul in great detail.

But maybe Venice and Vivaldi were exotic enough for Bach – who was not a globetrotter at all. In any case, Bach made surprisingly little change to Vivaldi’s original notes. This creates a wonderful paradox: although its multiple keyboards for hands and feet mean that the organ can simulate a whole orchestra, what mainly stands out here are the long passages where the whole organ imitates a single frenzied solo violin.

BWV
594
Title
Concerto in C major
Instrument
Organ
Genre
organ works
Year
ca. 1713
City
Weimar
Special notes
After Concerto in D major for violin and orchestra ‘Il grosso Mogul’, by Antonio Vivaldi

Extra videos

Organists on the Schnitger organ

“Schnitger is the Stradivarius of organ building.”

Vocal texs

Original

Translation

Credits

  • Release date
    6 February 2020
  • Recording date
    18 July 2019
  • Location
    Jacobikerk, Uithuizen
  • Organist
    Peter Kofler
  • Organ
    Arp Schnitger, ca. 1700
  • Director and editor
    Robin van Erven Dorens
  • Music recording
    Guido Tichelman, Bastiaan Kuijt
  • Music edit and mix
    Guido Tichelman
  • Camera
    Onno van der Wal
  • Lights
    Gregoor van de Kamp
  • Interview
    Robin van Erven Dorens, Marloes Biermans
  • Producer
    Jessie Verbrugh, Stefan Ebels
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